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It’s a debate you may often hear film fans discuss, especially within the horror community considering just how many emerge each year.
From The ABCs of Death to XX, there are so many and they can either serve to platform a selection of promising upcoming filmmakers or genre veterans simply flexing their muscles; or both, as the best ones do.
Sadly, a number of anthologies are destined for obscurity though. But, some do manage to take off and spawn franchises. In recent years, perhaps there is no better example to demonstrate their potential than VHS.
The first film arrived back in 2012 and earned two sequels – V/H/S/2 and V/H/S: Viral – between then and 2014. Beloved filmmakers such as Nacho Vigalondo (Timecrimes) and Gareth Evans (The Raid) have contributed their work, but there’s more to tuck into at long last.
For those unfamiliar, Shudder is a subscription-based video-on-demand streaming service that offers an impressive selection of horror and thriller titles.
Founded in 2015, it has already been championed by horror fans as an essential service, boasting both film and TV while offering audiences a wide range of exclusive content.
The latest VHS installment is simply the latest in a long line of exclusives and plans start at just £3.99 / $4.75 while brand new customers are also given the option to try a 7-day free trial.
Taking this into consideration, if you haven’t signed up for the service before you can essentially watch VHS 94 for free. You can cancel anytime, but if you do not wish to be charged don’t forget to do so before the 7 days is up.
A number of fans have celebrated it as the best since the second installment. Now you know where to watch VHS 94, let’s talk expectations.
We are whisked back to the year 1994 as we accompany a SWAT team unit raiding what they believe to be a drug lab. However, they soon learn that the place is home to a mysterious cult.
On-site, the officers discover a collection of tapes that blend together into one terrifying vision.
Read More: Respect 2021
Along for the ride, this time around we have directors Jennifer Reeder (Holy Hell), Chloe Okuno (Storm Drain), Simon Barrett (The Empty Wake), Timo Tjahjanto (The Subject), and Ryan Prows (Terror); five frightening shorts in total.
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The film De Flummels 2021 benefits from a unique look, adopting the 1990s VHS aesthetic. As it’s such an important element of the production, The Daily Texan was keen to ask the filmmakers how they pulled it off.
He Trammelant in Spanje 2021 film nedherland that “everybody did something different” but they “all shot at 29.97 drop to get that video-y look.” Chloe Okuno weighed in too, revealing that her segment was “shot on a digital camera and then we did a tape transfer,” while utilising “a few different formats for different parts of the segment.
She added Beginning 2021 that they “also had people run the tape through a few times so we had a heavily damaged beta-max that just had like a bunch of staticky fuzzy that looked awesome.
Across the interview, filmmakers are requested to cite influences too, with the likes of Rec and Videodrome earning a mention. Perfect.
