A Man Who Defined Representation In Comedy

Where do you start to talk about Bill Cosby? He was one of the most popular entertainment figures of the twentieth century, a man who reshaped the television landscape in a way that defined representation in comedy. He was also a violent, vicious predator who used his carefully constructed public image as a family man and respected pillar of the community to feed his vile urges. The conversation around Bill Cosby doesn’t just need to include both of these stories, it needs to recognize how they were inextricably connected—how Cosby’s public persona and popularity enabled him to commit horrific crimes outside of the public eye. And the conversation needs to include how commonly we refuse to recognize that what we see on TV or hear on a stage isn’t anywhere near the whole story when it comes to a person’s life. We thought we knew Bill Cosby because he so deftly turned his own life into stand-up and fiction, but we didn’t realize how much of it was a lie. The brilliant W. Kamau Bell tries to wrap his mind around all of this in the excellent four-part Showtime docuseries “We Need to Talk About Cosby,” which premiered at Sundance today before starting on the cable network next Friday, January 28th.

Bell’s approach is smart in that he avoids much of the traditional chronological approach to true-crime series or bio-docs. One of his best decisions, and what really elevates the series, is how cleverly he eschews the “fall from grace” structure. Many stories like this chart the rise and fame of their subject before revealing the truth behind their public façade. Bell doesn’t do that. He knows there’s a shared international knowledge about why we’re here—what we need to talk about is more than just “I Spy” and hit comedy albums. And he also makes clear how evil Bill Cosby was from the very beginning. He wasn’t a superstar and then a criminal—he was always both at the same time and that’s what we’re here to discuss.

해적: 도깨비 깃발 다시보기

킹메이커 다시보기

인어가 잠든 집 다시보기

원 세컨드 다시보기

극장판 안녕 자두야: 제주도의 비밀 다시보기

Bell assembles a fascinating collection of interview subjects, avoiding many of the familiar faces that one might expect to see in a documentary about a celebrity. I’d love to know exactly how Bell chose the voices that would participate in this conversation, but he is clearly a phenomenal interviewer. You can sense the comfort his subjects have with him, often using his first name like they’re talking to a friend. And he draws fascinating insight from brilliant people like Marc Lamont Hill, Jemele Hill, Jelani Cobb, and more, while also including a few thoughts from people who worked with Cosby like co-stars Doug E. Doug and the comedian Godfrey or a producer from “The Cosby Show”. How Cosby was enabled becomes a backdrop for the show, but Bell avoids pointing fingers in that department, in a manner that could be frustrating for some. The idea that “someone had to know” comes up, but it usually stops there without much resolution as to who and why they didn’t do anything about it, but Bell clearly wants to keep the focus on Cosby himself more than the entire broken system.

Of course, the most powerful voices on “We Need to Talk About Cosby” are those of his victims. And here’s where Bell truly shows his skill as a creator. Just as the show is feeling a bit too soundbite-driven in the premiere, the editing almost grinds to a halt, and we hear an unbroken testimony of an assault. Bell does this a few times in all four episodes, allowing Cosby’s victims the platform to tell their stories with few cuts, no score, and no clips. He becomes an ally by listening, which is what everyone needs to do more of now. We don’t just need to talk about Cosby, we need to hear about Cosby, and hearing what he did from the mouths of the people he did it to has incredible power.

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